“On the Run” ( The Dark Side of the Moon, 1973)Ī fascinatingly ahead of its time interstitial: “On the Run” basically feels like interstellar chase music, or a decade-early soundtrack for the action scenes in TRON, or “Flight of the Bumblebee” as imagined by Giorgio Moroder. With their debut album turning 50 this week, we’ve decided to count down our choices for the 50 best Pink Floyd songs - from the proggiest to the poppiest to the most psychedelic, and the mini-masterpieces that were all three and more. 1 rock fans didn’t even bother to cry “sell out!” over. And yes, The Wall was a monstrous double-LP statement of egomania from which there was no returning, but the set’s rock operatics couldn’t obscure the most seamless integration of disco’s thump that any major rock band had yet achieved - resulting in a Hot 100 No. Yes, the ’77 punk movement largely followed in response to the overblown pomposity of their ilk, but play Never Mind the Bollocks, Here’s the Sex Pistols and Animals back to back and see which one sounds more like a bilious screed from a bunch of pissed-off Britons who don’t give a f–k what their fans want to hear. Yes, Wish You Were Here is overwhelmed by a combined 26 minutes and nine movements of jazzy art-funking (and no shortage of fretting about The Machine), but it’s also centered around the profound humanity of one of the great tear-jerking ballads in rock history. Yes, they set the standard for college-dorm stoner rock with the prismatic prog of The Dark Side of the Moon, but in between the LP’s space-rock zone-outs are a pulse-racing proto-EDM instrumental, a heart-stopping soul vocal exorcism and a couple ripping sax solos.
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